Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends. A rad riff on Romeo & Juliet (and the Frank and Moon Unit Zappa song), Valley Gir follows popular girl Julie Richman (Deborah Foreman) as she falls head-over-pumps for a sweet punk named Randy (Nicholas Cage in his breakthrough role). When her friends like, totally flip over her off-brand crush, Julie is forced to choose between her reputation and her relationship.
With a righteous soundtrack (anchored by Modern English’s swoon-worthy “I Melt with You”) and subversive twists on the teen movie script, Valley Girl ought to be celebrated as much – if not more – than as anything John Hughes made in the ’80s.
Thanks to Coolidge’s focus on the female gaze, the film is both progressive and nostalgic at the same time, evoking the warmth and excitement of first love without looking down at its protagonist or her lifestyle.
– Emily Gagne & Danita Steinberg, We Really Like Her.
Disgruntled and weary after slogging through the last dozen Sex-Mad Teenager Movies, I came upon Valley Girl with low expectations. What can you expect from a genre inspired by Porky’s? But this movie is a little treasure, a funny, sexy, appealing story of a Valley Girl’s heartbreaking decision: Should she stick with her boring jock boyfriend, or take a chance on a punk from Hollywood?
Having recently seen several Sex-Mad Teenager Movies in which a typical slice of teenager life consisted of seducing your teacher, being seduced by your best friend’s mom, or driving off to Tijuana in search of hookers, I found Valley Girl to be surprisingly convincing in its portrait of kids in love.
These are kids. They’re uncertain about sex, their hearts send out confusing signals, and they’re slaves to peer pressure. The teenagers in all those Porky’s rip-offs seem to be the fantasies of Dirty Old Men, but the kids in Valley Girl could plausibly exist in the San Fernando Valley – or even, I suppose, in the Land Beyond O’Hare.
The movie stars Deborah Foreman as Julie, a bright, cute high school girl who is in the process of breaking up with her blond jock boyfriend (Michael Bowen). He’s gorgeous to look at, but he’s boring and conceited and he does the one thing that drives all teenage girls mad: He sits down next to them in a burger joint and casually helps himself to their lunch.
One night at a party, Julie meets Randy (Nicolas Cage). He’s a lanky, kind of goofy-looking kid with an appealing, crooked smile. He’s also a punk from across the hills in Hollywood. Julie likes him. He makes her laugh. He’s tender. It’s awesome. She falls in love. And then her friends start working her over with all sorts of dire predictions, such as she’ll be “totally dropped” if she goes out with this grotty punk.
Caving in to peer pressure, Julie agrees to go to the prom with the jock. And then there’s the big climax where the punk gets his girl. One of the nicest things about this movie is that it allows its kids to be intelligent, thoughtful, and self-analytical. Another thing is that it allows the parents to be 1983 parents. Have you ever stopped to think how dated all the parents in Teenager Movies are? They seem to have been caught in a time warp with Dagwood and Blondie. In Valley Girl, the parents (Frederic Forrest and Colleen Camp) are former hippies from the Woodstock generation, now running a health food restaurant and a little puzzled by their daughter’s preppy friends. It’s a perfect touch.
And here’s one more nice thing about Valley Girl. Maybe because it was directed by a woman, Martha Coolidge, this is one of the rare Teenager Movies that doesn’t try to get laughs by insulting and embarrassing teenage girls.
Everybody’s in the same boat in this movie – boys and girls – and they’re all trying to do the right thing and still have a good time. It may be the last thing you’d expect from a movie named Valley Girl, but the kids in this movie are human.
– Roger Ebert, Roger Ebert.com, 29 April 1983.
Restoration:
For it’s 40th annivesary, this “4K scan of the original negatives” looks as good as it can with its less-resilient early 80’s film stock. It has heavy, clunkier, textures – especially at night but the image is clean and consistent. I suspect this is a strong replication of how it looked theatrically. There is decent color depth.
Valley Girl has a score credited to Marc Levinthal and Scott Wilk but there is a mass of contemporary and new wave recording artist’s music in the film including The Plimsouls, Josie Cotton, Felony, Bonnie Hayes with the Wild Combo, Payolas, Eddy Grant, Sparks, The Psychedelic Furs, Men at Work, The Flirts, Modern English, Pat Travers, and Gary Myrick sounding clean with consistent dialogue in the lossless transfer.
– adapted from Gary Tooze, DVD Beaver, 18 September 2023.